It’s the type of moniker that inspires more question marks than exclamation points: Black Plague Brewing (2550 Jason Court, Oceanside). The first time I heard about it was nearly two years ago when I first interviewed the owners of the now-open business. And over that span, the odd resonance of that name hasn’t diminished in the least. Part of it may be the fact the words are typically presented along with a spooky logo featuring an ancient, crook-beaked plague doctor, but mostly it’s the reference to the historic bubonic plague (AKA “the black death”), which wiped out between 75 and 200 million Europeans (30-60% of the continent’s entire population) from 1346 to 1353. But there’s more to a business than its handle and motif. I was sure to remind myself of that as I entered Black Plague’s tasting room for the purpose of sampling its beer and atmosphere as part of a recent brewery touring session.
Walking through the door, I bid adieu to a perfectly sunny day and took a second for my eyes to adjust to the darkness of the space. Though outfitted with skylights and a lobby bordered on one side by floor-to-ceiling windows, the walls are painted jet black. Furniture hues range from brown to ebony and the only relief from the dim color palate is a beer board decorated with colorful, artful names and descriptions, plus rudimentary thin, white-line sketches of the plague doctor and such. It was around Halloween when I visited, but it’s clear the creep factor had little to do with that macabre holiday. And while it wasn’t my personal cup of tea, I had to hand it to the folks who handled the interior design. They took a thematic, embraced it and delivered. It’s complete and makes good on a promise set forth by the brand and its back story, even adding a touch of whimsy here and there in the process.
Fortunately, the service element does not fall in line with what one might find in the midst of a continental pandemic. The bar staff is rather friendly. My only knock was a seeming lack of knowledge or interest in the finer points of beer and brewing, but not everyone can be a nerd. They knew Black Plague’s beers enough to be helpful, and made a point to note something very cool (literally): a glycol-chilled copper strip running down the center of the bar. That amenity keeps beers cool should you be consuming a style that you’re not looking to warm for increased sensory effect. The customers, too, were in a jovial mood as they drank their beers and watched football on a screen mounted left of the beer menu. As I received my taster flight, I looked forward to falling into their frame of mind.
Prior to coming to Black Plague’s tasting room, I had sampled only one of the company’s beers, 1347 IPA. Named, as they say, for “the year of the plague,” it was hazy and juicy. Now, however, it’s no longer Northeastern in body and has far less of a fruit-juice character. If anything, it’s much drier and exhibits a grapefruit pithiness more evocative of a San Diego-style IPA. For those looking for fruit, however, there are multiple versions of this beer available, all of which have been infused with a different fruit (mango, pineapple, blood orange, grapefruit, blueberries) as well as habanero peppers. Plenty happy with the base beer, I chose the purist route, moving on to a Kölsch called Remedium that was crisp and balanced, and Nelson Pandemia, an IPA hopped with “an outbreak of Nelson hops,” that had a sharp, bitter finish that left a sticky, peppercorn-like spice in its wake.
From here it was on to more avant-garde beers, starting with ChaI.P.A. Fans of chai (which I am) are likely used to encountering this exotic-tasting adjunct in beer, but typically styles on the darker end of the spectrum. I was skeptic of how it would come across in a lighter-bodied, hoppy beer, but it was a winner. All chai in the nose and only slightly bitter, allowing the added spices to come through, it was my favorite of Black Plague’s beers. Second place went to Samoa Stout, a beer brewed with chocolate, roasted coconut, maple syrup and graham crackers to emulate the Girl Scout Cookie of the same name. Dessert-like, but not overly sweet, it comes across as dark chocolate with a supportive caramel backdrop.
While my inner-marketing professional shudders when presented with this brewery’s branding, I would happily reach for one of its beers. Though its owners lack beverage-industry experience, they have been wise enough to consult with professionals who possess just that. Their brewhouse is currently benefiting from the services of ex-AleSmith Brewing and Mikkeller Brewing San Diego fermentationist Bill Batten, who specialized in traditional beer styles for more than a decade before shifting to more experimental brews at his most recent gig. He seems a perfect fit for his current digs while he waits for his next post, North Park’s TapRoom Beer Co., to be constructed. From what I tasted, he’ll leave some big boots to fill.
Last month, Joe Lisica resigned from his post heading fermentation operations for Miramar-based Little Miss Brewing. He cited an amicable parting of ways with owners Greg and Jade Malkin, who brought him on as the company’s first-ever brewmaster and a partner (though goals that would have triggered part-ownership were not reached prior to Lisica leaving). The Malkins wanted to go one direction with the beers they produced, while Lisica favored an altogether different creative trajectory.
Lisica departed without a plan for his next step. He said he was actually looking forward to enjoying a little down-time after spending the past year-plus planning, hammering together and running a brand-new brewery. A life of rest and refueling must not have agreed with him, because he went back to work yesterday after being hired by Mikkeller Brewing San Diego to serve as its head brewer. Lisica worked at Green Flash Brewing Company in Mira Mesa before moving on to move up with Little Miss. Here, he will be responsible for the manufacture of many more styles than he tackled at his last place of employ, filling a beer-board 19 strong and crafting weekly new releases.
This will be the Miramar-based brewery’s second head brewer. Initially, the company—the brick-and-mortar overseas interest of Copenhagen, Denmark-based entrepreneur Mikkel Borg Bjergso—brought veteran brewer Bill Batten over from sister-company AleSmith Brewing Company to lead brewery operations. Batten resigned in March and has gone on to consult for several San Diego County brewing companies while waiting to take the reins at his eventual home, TapRoom Beer Company, which is currently being birthed in North Park by the owners of Pacific Beach bar SD TapRoom.
Back at Mikkeller San Diego, the company maintains a cult following, but appears to be struggling with the inherent difficulties of having an owner that spends the majority of his time away from the business while guiding brewery decisions from afar. In other Mikkeller San Diego news, the company has removed the anvil that was formerly a component of its logo meant to communicate its partnership with AleSmith. AleSmith owner Peter Zien says that, although he sold stocks in 2016 to give control of Mikkeller San Diego to Bjergso, he remains a partner from an artistic and financial perspective until Mikkeller San Diego’s lease expiration, at which time Zien will transition to a point where he is no longer a financial principal.
Author’s Note: This article has been updated to reflect facts presented following its initial posting.